World Screen

In a video film director (Michael Hanike), moves in a teenager surrounded by screens and images of the virtual world, to the fact that the act by killing a girl like age, the virtual world is no longer just a war machine against social link only, but against the perceived experience also.

In the new world of modernity, in less than half a century, it doubled screens everywhere, from your personal computer and, in the end notebook and smart phones and smart watches, and the passage of the digital camera, the end of the Internet and the Global Positioning System and.

And the evolution of technology and the digital space, and the stations and satellite television channels, and Internet and places megacities, and digital financial system, and also developed methods and behaviors in the fraught risks, through digital video games, sports games and stay, and what followed from idle human body and the lack of movement, which reviled in poor performance

And overweight (obesity), and the addiction, everything is magnified today, and everything is up to the Far alone becomes repulsive and vertigo, we've gone from one screen to screen, and then connected to the screen three dimensional .

And it requires thinking in the media and cinema ultra-modern, political and social insight, and media and immoral, including the process of the individual and his relationship to exist, the new film is analyzed through meditation in the quantity and quality of production, and through the common features away from any aesthetic hierarchy in those works of art, we are currently witnessing a mixture mixed on the troubled frontiers, and from here the need to clarify everything you say about the social world of cinema and human society, and how to reorganize the role of the media, and that affect their thinking and perception of human beings, and how to play these instruments in the formation of human expectations, and because the media systems are not closed, and are not sincere to all that is a social reflection, and should be interpreted in the role of the media and high-cinema, in a comprehensive way of home and abroad, considering the role of these methods works influential work, or as being imaginary model.

* Cinema Without Borders

Featuring an ultra-modern change in its effect, through a comprehensive and simultaneous movement on technology and the media, and even on the economy, culture and consumption and aesthetics, and so on politics and society.

And at this moment in which the ultra-capitalist system is confirmed, and superior media in terms of speed in the transmission of information, and depreciation and ultra-based globalization, and that was the beginning through the screensCinema, through the grounds that the seventh art became the industry, not least as important as major industries, especially technology industry.

All this refers to a comprehensive display in the broad sense of the word, and then to the new global force in the field of global screen, passing the case to the broader concept of the transfer of the image and the event, all in favorInformation technology and new communications, this is the time of the world screen, but this screen may be a screen or monitor screen information or screen for entertainment and recreation, or connected networks and continues to screen or this screen enter in the field of digital art, music, and video games, or through advertising and dialogue and photography and knowledge, and can not survive almost anything from the screen network digital, and the control and the domination and rule of this new screen, all walks of life, and all life, and our relationship with the world and with others, and that increases our connection with it in the media over screens and numerous visual interfaces, and do not stop all of these screens for convergence, communication and networking.

* Modern Art on the object level

Because the media and the cinema was born in the modern era, and through modern technology and modern goal, and by recording the movement in the image mode, then make this movement and the image visible to the public, and for this reason it can be considered all this as a modern art in a manner instinctive.

Contrary to all the other arts established since ancient times, starting from the stage, but in this day and age emerged invention technical unprecedented, and the technology has evolved in the film industry, and has pointed out (BalilaBalzas) to this matter, he said, "Cinema is the only one who knew his birthday art, and is a unique event in the history of civilizations," but rather as proposed (Philip Murray), where he said that "art that was not the freedom from religion, and art, but all the arts was forced through the centuries to secede from the Bible to become an art, the art is not, but the only movie that came out unscathed from the ordeal, and because the film is the latest types of arts in terms of appearance, it did not have any film role in the struggle to get rid of the control of religious institutions on them, "and were not functional need that led to the discovery and runNew technology, it is not new technology, which urged the discovery of how to run the new art, so art associated with the technology of machine, and which to a large extent succeeded quickly, and the next new artIt became bolder, and threatens to turn art into a mere technique pervades the arts that cut and traditions behind.

* The Art of mass consumption

The art of public permission, but any art?, and modern in any sense? If they decreed a parallel line between history and the media in general, and a private cinema, and the history of other arts, it must be noted that the recentIt participated in the revolution and the vanguard of modernity first, and marked by the desire for a complete break with tradition and inherited habits, as stated (Paul Kelly), and the score (Metzengjir) that it be seen in the gallery for that period and says: "I know this is the end of all education, is finally beginning time of personal expression, and the teacher finally gone time," The film is not a coup against the values, and the film was originally does not have those values, and because the film persevered in establishing itself as it art or art form.

* Grand illusion

Collide with modern media and cinema, which is not mentioned in the interview, one argument sometimes, and is seen in the cinema is the art of optical illusion, which was written her career in the long history of art forms, and that establishes the illusion in reality, and that will be just an illusion perspective, and which was inaugurated by painters (Koatrchinto), or the illusion of comedy in the boys' mother in the puppet theater, and coordinated by (Corneille) for this film, and away from the real modernity, will not appear, then, through special techniques in a magic lantern, which is not only one of the aesthetic forms abandoned.

* high tech

If the idea of ​​super-cinema imposes itself, it is the cause of the waterfall technological inventions, and that changed the smooth running economy in a fundamental way, in addition to changing consumption patterns, we've the cinema in the confirmation, and in a permanent form, is an art that requires multiple sources of technology, but it is obvious skip a new threshold with the development of high-tech, where he was regarded as the video of the period eighties, and especially digital video during the nineties, all made technically give way to high-electronic technology, especially in the computer, and fine-tune the process of the cameras, and camera installed in the emergence of huge leverage, and the fixed camera, and the progressive complexity in digital video cameras, all of that is gradually possibilities action photography itself, and cinema at the moment is far from Digital Cinema to the full, however, there remains a huge shift over hybrid analog-digital image, which is involved in the actImaging and output stages, and montage movies highly successful, (such as Jurassic Park, Lord of the Rings), and digital technology can not only reduce or cancel the filming location, or refine images, or give the atmosphere a vehicle with the actors, or pick up the movement of representatives in the mode of the computer, until it is re-shaped movement, through a moving form, and the achievement of a vehicle and virtual characters in a sincere, do not they are making it possible to also display an unprecedented scenes, which could not have been the embodiment of these scenes before.

* Digital art, experimental screen

I have practiced the art digital technology, such as video art, through the creative use of the new look for the possibilities of technology, and that was the end of the 1960s, has opened up horizons unprecedented radically, whenIt has brought in creative freedom, which were not expected until today.

And it has not attracted the use of automated processing of information in the beginning only specialists, such as (Michael Noll) or (Manrvid Moore), and are able to control not on this technique and, but even on the structures mathematical and logical that can be produced through the use of this mechanism of treatment, and the play works carried out, and inspired by the geometric abstraction, and planning elements with groups, and with algorithms, and color algorithms, only the emergence of micro computer, in almost the mid-seventies, and in particular with the moving image, and three-dimensional images at the beginning of the eighties, where opened up digital art, this is strictly speaking, the less-skilled users in science.

* Video art, from personal expression to public expression

Declares (Jack Luc Godard) early after 1968, which drew strong criticism for television, which he considers the tomb of the film, as is the video messenger, it does not even have to leave the cinema some time for video and even after returning to the cinema in the eighties, and since then, and even after the slops from Swiss territory, and is continuing his research on this form of expression, and which he considers a new youth art stage and he says, "was born Art teenager, and will never grow up," and within this passion in technology allows through ease of use, and the weakness of the costs, to do the experimentation, which can not be offered to the cinema at easeAnd due to the weight of the economic costs and technical, where they are the first links between video drawing on the grounds it is a means of artistic expression and cinema.

* Screen authority

After becoming a global screen, you will be in this screen Coping gravedigger to the arts, and other forms of expression? , in college Empire screen, you should see, as some believe destructive processes, and systematic cultural invasion, even established to exterminate the writing on the paper? , And the shift from writing on paper to write on the picture, and through the picture, the question arisesNow in the media sector, where most of the major newspapers and international and national and local, in the creation of Web sites have, for publication on the Internet, in order to establish its potential line in the stages of development through constant premise from now, but not on the decline and disappearance of printed paper, and is what may be his magazines, and especially scientific journals, medical, and the university, which is displayed some of these Magazines on the Internet only, such as short publications, which costs the industry would be unable to resist the huge distribution and the economy, and posed the transition to the Internet, while based on the information statistics, which allows the opportunity for production and distribution to priority for a specific website, in order to catch the same fate here in the correspondence, And which has seen almost disappearing in favor of e-mail, and SMS, which resulted in his role, and paradoxically, to go back to writing, even if these writing in less proficiency and clarity of form.

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Gill Ipovitsky, Jean Siro

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Par: Gilles Lipovetsky et Jean Serroy

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